KANSAN UUTISET (People’s News)

“Ancient music produced by stones, seeds, sticks and drums (…)influenced by rock music and blues rhythms : something comparable with the modern Lapish music.”

“The ancestral culture of his (Yovan Nagwetch) people and of the modern society merge together when natural elements melt with simplicity in rock music”

SOUNDI (Sound Magazine)

“The ritual and spiritual feeling is freshly different.”

“…contagious rhythms and melodies are plenty. The effect is calming et improving.”

FRIITI (Folk Music Magazine)

“Though Wabanag’s music is strongly anchor in his Indian (Canadian Aboriginal) roots we can rightly categorize this band as multicultural.”

“…the public is interested by alternatives to the main stream culture where diversity and spiritual food are seek in a way of life in transformation more and more materialistic and in search of efficiency.”

FACES ETHNOFESTIVAL PAPER

“Native music doesn’t have limits”

KARJALAINEN (The Carelian)

“The music of “ULODI” is a rhythmic and illuminating ethno- rock in which the pieces with a mantric landscape are for the listener’s attention of a strong attaching power”

SALON SEUDUN SANOMAT (The Salo’s Paper)

“The album “ULODI” is made out of an interesting mix, partly of ideas and ancient culture’s instrumentation, partly by the modern means ex: electric guitar”

VÄSTRA NYLAND

Nagwetch was personal, devoted and offered what is central in his life, not least spirituality, and it was easy to appreciate his strong but at the same time gentle and warm expression. And the was what the audience clearly did when it forced it’s way dancing before the stage. Nagwetch was definitely one of the most positive experiences in this year’s FACES-festival.

ILTASANOMAT (Evening paper)

“The songs written in Wabanaki are full of emotions.”

“Listening this music we easily imagine the gray hair of an old Indian flowing in the wind”